The meaning hides in the four Renaissance masterpieces that every noble is knowledgeable about

These are the works of life, the pioneering of the transformation of European painting in the 16th century.

The history of Western painting may have changed in the Renaissance (Renaissance) . After hundreds of years of neglect, the cultural quintessence from ancient Greece and Rome once again rose to life in the 14th century. By the 16th century, it could be said that the whole of Europe had transformed itself into one. totally new art form.

Behind the change in artistic method is the desire to be refreshed, depicting the beauty of nature and clarifying aesthetic axioms. Top artists of this period include Da Vinci, Michelangelo, Raphael (Raffaello), Paolo Verones e . representing the pinnacle of art and have been learned by many other artists.

In this period, understanding art was an indispensable part of Western nobility, expressed through lavish parties discussing artistic views to show class. They are forced to do so, because those who make those works are not simply drawing.

They are researchers, philosophers, scientists with extremely advanced and modern views. Therefore, their work not only stands out in color, shape, but also includes theories and ideas of the era.

Their works, in a way, can change the world.

1. The "Wedding at Cana" - Paolo Veronese

The wedding at Cana (The Wedding at Cana) is an oil painting masterpiece of the Italian artist - Paolo Veronese, painted in 1563 for Benedectine San Giorgio Maggiore monastery in Venice.

The picture depicts the Biblical Wedding in Cana, about the first miracle Jesus performed for humans. Specifically, Jesus and his disciples were invited to attend a wedding party at Cana (where this place is still controversial). However, when the party is at its peak, the alcohol is over. To the hostess's confusion, Jesus asked the servants to fill the jars with water, then turn them all into new wine.

Wedding paintings at Cana.

The painting shows a party with 130 guests, with Jesus being the center. Strangely, however, those 130 people do all kinds of things that can happen in a human being, except talking. This, according to some fine artists, is a Veronese creation when it comes to Benedectine monastic tradition - keeping quiet in the dining room.

Above is a bright blue sky with white clouds, as if to light up and deepen the viewer's view of the time, place and the invited ones themselves to the wedding.

But more deeply, Veronese also wanted to emphasize the pleasure of the banquet , about the irrational luxury of contemporary society , thereby publicly criticizing what was deemed sensitive by late Easter Hung.

It is said that Veronese drew herself as one of the 130 guests who attended this wedding party (the white-shirted person held the Viol guitar next to Titian and Bassano). The painting 666cm x 990cm (262 x 390 inches) is currently on display in the Louvre museum, Paris.

2. The "Athens School" - Raphael

The Athens School (School of Athens) is one of Raphael's quartet of paintings, born around the period of 1509-1511.

In total, the painting has 21 famous philosophers of ancient Greece, such as Pythagoras, Heraclitus . in which Plato and Aristotle are located in the center.

Raphael's Athens School Masterpiece.The center is Plato (left) and Aristotle (right).

Raphael's Athens School Masterpiece. The center is Plato (left) and Aristotle (right), surrounded by 19 other famous Greek philosophers.

From the point of view of modern artists, it is a way for Raphael to show his understanding of philosophical thought. Philosophy is a contrast, with the center being Plato and Aristotle with the teacher-student relationship, but contrasting in perspective.

These two, one old - one child; a simple, true - a flashy; as arguing about a certain issue, which most experts think is the difference in the two schools of philosophy.

For Plato, it is the theory of Forms - where "existence" is the immaterial, which is perceived by supernatural wisdom, and "does not exist" as material. And Aristotle, he considers physical existence to be real, and reality is truth.

These are the two axes of philosophical thought that many other philosophers rely on. Raphael did not take sides, but his expression seemed to show that the philosopher's school was not for them to compete, but for a common need to seek the knowledge and truth of life.

3. "God created Adam" - Michelangelo

The creation of Michelangelo created a picture for his life - The creation of Adam - on the ceiling of the Sistine Chapel, the Vatican from 1511 - 1512.

The picture of God creating Adam is placed on the ceiling of the Sistine Chapel.

The picture depicts an anecdote in the Book of Genesis, when the Lord blew the soul and created Adam - the first human in the world.

Besides the artistic values, the meaning of the painting also caused a lot of controversy in the art world. Featured among them is the idea of ​​Michelangelo based on the anatomical structure of humans to make this picture.

In 1990, Frank Meshberger published a study, suggesting that the model of the God in Michelangelo's painting accurately represents the anatomical structure of the human brain, with full lines of surface and outside of the brain. , including the brain stem, frontal lobes, basal artery, pituitary .

God emerges inside the human brain as a very popular theory around The creation of Adam.

Also, another idea is that the red cloth around God is the embodiment of the human uterus, and the green wire is the umbilical cord. The person who made this theory was a group of Italian experts, and according to them, it represented idealizing the birth of a man, based on realism in life.

Ignoring the controversy, unfortunately, Michelangelo's masterpiece is one of the top works badly damaged by constant smoke and candles for centuries.

In the 1980s, the Sistine Chapel ceiling experienced a large-scale recovery that revealed true colors and details that were hidden for centuries. However, the recovery has also caused a lot of controversy among art historians.

4. "Last dinner" - Leonardo da Vinci

Born in the period 1495 - 1498, the mural of Leonardo da Vinci's The Last Supper is considered one of the masterpieces of God in the Renaissance period.

The idea of ​​the painting is based on the context of the last meal of Jesus and the 12 disciples, when God declared that one of his disciples would betray him (Originally: One of you will betray me).

The idea of ​​the painting is based on the context of the last meal of Jesus and 12 disciples.

The picture shows a very sharp reaction of 12 disciples. Bartholomew, James Baby (James Minor), Andrew, all 3 were surprised. Judas was surprised, Peter gripped the knife indignantly, and John - the youngest disciple - fainted.

That is the left group. On the right is Thomas who looks sad, James Big (James Major) stunned, Philip shows his face wanting an explanation. And Jude Thaddeus and Matthew looked at Simon with a face . thousands of question marks.

In general, the content of the picture is directed to an anecdote in the Bible. However, art experts consider this to be an extremely complex project, expressing mathematical systems, psychological problems, giving multi-dimensional views, and deserving a pioneering work. , superior in aesthetics in Renaissance art.

Unfortunately, Leonardo used the colors he created to paint wood materials, while this was a mural. As a result, as soon as the picture is completed, the paint has been peeled off and gradually degraded. Today, what is left of this painting is mostly restored.