Folk songs, chasing Nghe Tinh

Folk songs, while Nghe Tinh holds an important position in the spiritual and cultural life of the people of Nghe An and Ha Tinh provinces (referred to as Nghe Tinh for short). This is a type of art that has a long-lasting vitality, imprinting the soul's identity, the way of Nghe people, a precious heritage in Vietnamese cultural treasures.

Folk songs, folk music Nghe Tinh - Intangible cultural heritage of humanity

1. Characteristics of Ví and Giặm Folk Songs

Starting from two forms of Nghe Tinh folk songs are singing and singing songs, Ví and giặm are popularly used in almost all daily activities, from lullaby, weaving to growing rice, sailing .

It is a venerable way to respond to the male and female sides , for example, to be immersed permanently by the method of universal poetry of the ethnic minority people (continental bowl, the six-sided , the hexagonal variation .). Singing is often free, there is no rhythm of each rhythm, the singers can be spontaneously elastic, high and low, short and high tones depending on the verse (lyrics) with or without, few good words many words. The expressiveness of songs for singers depends on the circumstances, space, time and xinxing of the singers. So, the purse sounded loud and deep, deep, flattering, earnest, sometimes witty, funny, young. There are many different types of wallets such as: for the ward, for the ward, for the ward, for the ward, for the cloth ward, for the ward of the wood, for the climbing wall, for the purse, . with the three forms of acting as sing sing, sing and answer songs and sing songs.

The song is close to the rice and nan filling, which can be sung by allegorical poetry (in 5 words). Usually, a song has many miseries, each of them has 5 verses (verse 5 often repeats sentence 4), each sentence has 5 words (excluding consonant accompaniment). Unlike the purse, the song is a song with a clear rhythm, with strong beat - light beat, internal beat - rhythm with two melodies is singing and singing. Giac is very rich in narrative, self-love, reciting, exhorting, dividing, confessing, sometimes humorously humorous, satirical and lyrical sarcasm. There are many different types of songs such as: girth, girly, girly, girly, female, prostrate, girly, girly, etc. with two forms of performance, which are both male and female.

Ví and Giặm Folk Songs use many local words with close and rustic singing. Singing techniques are mainly transmitted by artisans in the form of oral tradition, ensuring that when singing, they must be correct in rhythm, pitch, degree, attachment, expressing the voice and intonation of Nghe Tinh dialect .

2. The outstanding value of Ví and Giặm Folk Songs

Folk songs are closely associated with the life and customs of the Nghe Tinh community, with strong vitality, always transmitted, preserved and promoted in contemporary life. This is a type of art capable of expressing the ideology and feelings of Nghe Tinh people, at the same time reflecting honestly all changes of social life.

In addition, Ví and Giặm Folk Songs also contribute to educating traditional moral values ​​such as filial piety with parents, husband and wife loyalty, behavior among people and people; calling for oppression and injustice in society. Participating in the singing and dancing song is an opportunity to enhance community cohesion.

Folk songs and songs are 'open' spaces for all those who love singing, regardless of age, gender, occupation and religion. Singing songs ensure equal rights, mutual respect between communities, groups and individuals, contributing to the sustainable development of the society.

Ví and Giặm Folk Songs are also a source of inspiration, a material for contemporary artists to create many musical and theatrical works with folk songs, contributing to enriching the cultural and spiritual life of the people. people.
Practicing folk songs, chasing Nghe Tinh

Ví and Giặm Folk Songs are widely practiced in the Vietnamese community in Nghệ An and Hà Tĩnh provinces. According to the inventory results of the Vietnam Institute of Culture and Arts (2013), there are 75 groups of Ví and Giặm Folk Songs with about 1,500 participants, including 803 artisans in 260 villages (168 villages in Nghệ An and 92 villages in Ha Tinh).

With unique and outstanding values, on November 27, 2014, at the 9th session of the Intergovernmental Committee on the Protection of Intangible Cultural Heritage (UNESCO) held in Paris (France), Dan ca wallet, chasing Nghe Tinh has been recognized as a representative intangible cultural heritage of mankind.

A number of songs of Ví and Giặm Folk Songs of Nghệ Tĩnh