Why are ballet dancers not dizzy despite continuous rotation of up to 32 rounds?

In fouling ballet, fouette moves - 32 rounds of continuous rotation. However, do they ever feel dizzy? If not, why?

Ballet dancers always make the audience passionate about the artistic and attractive movements on stage.

But how can these dancers stand still without a bit of dizziness after going through such rotation? Are they not different from us or is there another mystery?

Why are we dizzy?

To understand why ballet dancers are not dizzy, we first need to understand why we are dizzy.

Dizziness is controlled by a liquid called " endolymph " (endolymph) inside your ear.

Dizziness is controlled by a liquid called "endogenous".

When you rotate, the internal organs will move and thereby stimulate sensory neurons, causing them to bring messages to the brain to let your brain know which direction your head is facing.

Even if you stop, these hormones continue to move and stimulate your sensory neurons shortly afterwards, making your brain mistakenly believe that you are still rotating while actually you. stopped already, leading to a feeling of dizziness.

It is with ordinary people, dancers are different .

In fact, unlike us, ballet dancers' or figure skating brains have changed to be able to better adapt to the art.

Ballet dancers or figure skating brains have changed to be able to better adapt to the art.

For ordinary people, we often have a certain balance between perception and reflexes.

As for the dancers, they do not rely much on the reaction of the brain but rely on their own reflexes to be able to perform such articulating rotation movements.

When comparing the difference between the structure of the dancer's brain with normal people, the cerebellum region handles nerve signals coming from the dancer's ears often smaller than other normal people.

And the more professional the dancer is, the smaller the cerebellum is, from which the nerve signal flow from the ear will decrease, making the dancer more resistant to dizziness.

To master this skill you need to follow a lot of strict steps.

But that is only part of the problem

Because brain adaptation is only part of the problem. For this adaptation, dancers will have to use a trick, related to the visual technique. This is a technique that focuses on looking at two specific points in front and behind you while rotating.

But to master this skill, you need to follow a lot of strict steps, such as not stopping abruptly, keeping your head steady, then gradually increasing the limit of rotation with time . These are skills It will take a lot of time, and usually only ballet dancers intend to practice this "subject".